Standard (EADGBE)

|Key Key Key|

| ^ | downbeat |

Here is the timing for the Intro and the Verse. "/" represents a slide and

"^" was placed under the downbeat (each "-" is a 32nd of the measure). Tempo

is about a quarter note equals 90 Beat Per Measure.

IIIII N N TTTTT RRRR OOO

I NN N T R R O O

I N N N T RRRR O O

I N NN T R R O O

IIIII N N T R R OOO

^ ^ ^ ^ ^ ^ ^ ^

V V EEEEE RRRR SSSS EEEEE 11

V V E R R S E 1

V V EEE RRRR SSS EEE 1

V V E R R S E 1

V EEEEE R R SSSS EEEEE 11111

(I have shortened the Chords names to better fit, so when seen below with the

 words, refer [ to ] (duh), [ to ], [/ to BD], [ to ],

[Dadd2 to D2], and [2D is just a variation of D]):

^ ^ ^ ^ ^ ^ ^ ^

NOTE: Where the fist letter of the chord is is about where the chord starts

in relationship to the word(s). Get the strumming and timing down and listen

to the song if you are struggling with where the words go, but this should

really help.

BD 2D

I heard about your trip.

BD 2D

I heard about your souvenirs.

BD 2D

I heard about the cool breeze in the cool nights and the cool

BD 2D

guys that you spent them with.

2D

I guess I should have heard of them from you.

2D

I guess I should have heard of them from you.

CCCC H H OOO RRRR U U SSSS

C H H O O R R U U S

C HHHHH O O RRRR U U SSS

C H H O O R R U U S

CCCC H H OOO R R UUU SSSS

NOTE: Once again, I have shortened chords, therefore, [D is still D], [Add4/E

is AE], and [G/D is GD]:

(for AE and GD, the low Db gives it a bad ring and doesn't sound good because

it's a good amount away from any of the other notes)

CHORUS GOES LIKE SO:

THIS ONE PART x1

BOXED PART x2

KISS ME HARD PART WITH HARMONICS x1

BOXED PART x5

^ ^ ^ ^ ^ ^ ^ ^

> > > > > <--accent

">" chords

BOXED PART:

___________________________________________________________________________

| ^ ^ ^ ^ ^ ^ ^ ^ |

| > > > > <--accent |

| ">" chords|

|___________________________________________________________________________|

KISS ME HARD PART WITH HARMONICS:

^ ^ ^ ^ ^ ^ ^ ^

> > > <--accent

">" chords

Well, don't you see, don't you see that the cha-

 rade is over?

 And the "Best Decpetions" and "Clever Cover Story" awards

go to you.

So kiss me hard 'cause this will be the last time that I let

you.

You will be back some day and this awkward

|1st Ending |

 | vice to keeping you away, to keeping you a- - - - way. |

|2nd Ending |

 | vice to keeping you away, to keeping you away, to keeping you a- |

 | - - - way. |

V V EEEEE RRRR SSSS EEEEE 222

V V E R R S E 2 2

V V EEE RRRR SSS EEE 2

V V E R R S E 2

V EEEEE R R SSSS EEEEE 22222

Same rule of ryhtm apply as in Verse 1, but I've put in the words so you can

see where they line up with the words:

BD 2D

I heard about your regrets.

BD 2D

I heard that you were feeling sorry.

  BD 2D

I heard from someone that you wish you could

BD 2D

set things right between us.

2D

Well, I guess I should have heard of them from you.

2D

I guess I should have heard of them from you.

- - - - - - - - - - - - - - - - - - - - - - - - - -

R CCCC H H OOO RRRR U U SSSS

E C H H O O R R U U S

P C HHHHH O O RRRR U U SSS (But use 2nd Ending)

E C H H O O R R U U S

A CCCC H H OOO R R UUU SSSS

T

OOO U U TTTTT RRRR OOO

O O U U T R R O O

O O U U T RRRR O O

O O U U T R R O O

OOO UUU T R R OOO

NOTE: [DXII is DX], [Dmaj7 is D7], [D6 is D6], [A7sus4/D is A7D], [A/D is AD]

Play every note hard and short. It's an easy and straight-forward rhthym.

| ^ ^ ^ ^ ^ ^ ^ ^ |

| ^ ^ ^ ^ ^ ^ ^ ^ |

|_____________________________________________________________________|x3.5

For the last three measures, the last "You're calling too late," the

rhythm changes ever so slightly to this (End on the last chord

^ ^ ^ ^ ^ ^ ^ ^ ^

 DX

I'm waiting for blood to flow to my fin-

gers. I'll be all right when my hands get warm.

 DX

Ignoring the phone, I'd rather say noth-

ing. I'd rather you nev - er heard my voice.

You're calling to late, too late to be gra-

cious and you do not war - rant long good-

byes. You're calling to late. You're calling too late.

D6 A7D AD Dvar3

You're calling too late.

|Verse 1|

BD 2D

I heard about your trip.

BD 2D

I heard about your souvenirs.

BD 2D

I heard about the cool breeze in the cool nights and the cool

BD 2D

guys that you spent them with.

2D

I guess I should have heard of them from you.

2D

I guess I should have heard of them from you.

|Chorus|

Well, don't you see, don't you see that the cha-

 rade is over?

 And the "Best Decpetions" and "Clever Cover Story" awards

go to you.

So kiss me hard 'cause this will be the last time that I let

you.

You will be back some day and this awkward

 kiss that tells of other people's lips will be of ser-

  vice to keeping you away, to keeping you a- - - - way.

|Verse 2|

BD 2D

I heard about your regrets.

BD 2D

I heard that you were feeling sorry.

  BD 2D

I heard from someone that you wish you could

BD 2D

set things right between us.

2D

Well, I guess I should have heard of them from you.

2D

I guess I should have heard of them from you.

|Chorus|

Well, don't you see, don't you see that the cha-

 rade is over?

 And the "Best Decpetions" and "Clever Cover Story" awards

go to you.

So kiss me hard 'cause this will be the last time that I let

you.

You will be back some day and this awkward

 kiss that screams of other people's lips will be of ser-

  vice to keeping you away, to keeping you away, to keeping you a-

  - - - way.

|Outro|

 DX

I'm waiting for blood to flow to my fin-

gers. I'll be all right when my hands get warm.

 DX

Ignoring the phone, I'd rather say noth-

ing. I'd rather you nev - er heard my voice.

You're calling to late, too late to be gra-

cious and you do not war - rant long good-

byes. You're calling to late. You're calling too late.

D6 A7D AD Dvar3

You're calling too late.