Standard (EADGBE)
>
>
>
>
> Foi na cruz, foi na cruz
>
>
> que um dia
>
>
> meus pecados castigados em Jesus
>
>
> Foi na cruz
>
>
> que um dia
>
>
> Foi na cruz
>
>
> Love comes a knocking, comes a knocking at my door
>
>
> but you, you and me, love we don't live there anymore.
>
>
> Repeat this pattern for all other verses/choruses.
>
> THE GOOD SON
>
>
>
> The good son walks in to the field
> he is a tiller, he has a tiller's hands
> but down in his heart now, he lays down queer plans
> against his brother and against his family.
> Yet he worships his brother, and he worships his mother
> but it's his father he says is an unfair man
>
>
>
> The Good Son
>
>
> The Good son
>
>
> The Good son
>
>
>
> the good son has sat and often wept.....
>
>
>
> .......
>
>
>
> One more man gone
> one more man gone
>
>
[
]
> one more man
>
>
> One more man gone ...
>
> etc
>
>
> SORROW'S CHILD
>
>
> (
) (
)
> Sorrow's child sits by the river
>
>
> Sorrow's child hears not the water
>
>
> Sorrow's child sits by the river
>
>
> Sorrow's child hears not the water
>
>
> and just when it seems as though you've got strength enough to stand
>
>
> sorrow's child all weak and strange stands waiting at your hand.
>
>
> repeat
>
>
>
> Piano Solo bit at end:
>
>
>
> - You'll have to play along to the record to work out where the changes come (it's fairly obvious from
the piano melody over the top).
>
>
> THE WEEPING SONG
>
> Easy one this .....
>
> intro
>
> (C, D - notes played on 5th string)
>
>
>
> Go son, go down to the water
>
>
> and see the women weeping there
>
>
> then go up into the mountains
>
>
> the men they are weeping too.
>
>
> Father why are all the women weeping?
>
>
> They are all weeping for their men
>
>
> Then whay are all the men there weeping?
>
>
> They are weeping back at them
>
>
> This is a weeping song, a song in which to weep
>
>
> while all the men and women sleep
>
>
[
- notes on 5th string]
> this is a weeping song but i won't be weeping long.
>
>
> Repeat to end
>
>
> THE SHIP SONG
>
>
>
> Come sail your ships around me
>
>
> and burn your bridges down
>
>
> we make a little history baby
>
>
> everytime you come around
>
>
> come loose your dogs upon me
>
>
> and let your hair hang down
>
>
> you are a little mystery to me
>
>
> Everytime you come around.
>
> ?
>
>
> We talk about it all night long
>
>
> we define our moral ground
>
>
> but when I crawl into your arms
>
>
> everything comes tumbling down.
>
>
> Come sail your ships around me
>
>
> and burn your bridges down
>
>
> we make a little history baby
>
>
> everytime you come around
>
>
> Return to '?' and repeat through remaining lyrics.
>
>
> THE HAMMER SONG
>
>
> Riff 1 TAB:
>
> ^ means slide. This riff is played with lots of delay added.
>
> This is the riff played by the guitar throughout the verse - check record for exact rhythm.
>
> The bits in {} are bass bits for bass guitar!)
>
>
>
{
(lo)}
> I set out on Monday the night was cold and vast
>
> (Guit Riff 1)
> and my brother slept
>
>
> and though i left quite quietly
>
> {
(lo)} (guit Riff 1)
> my father raged and raged and my mother wept
>
>
> now, my life was like a river all sucked into the ground
>
>
> and then the hammer came down, Lord the hammer came down
>
>
>
>
> Repeat until:
>
>
>
> Then I came upon a river and I laid my saddle down
>
>
> and then the hammer came down, lord, the hammer came down
>
>
> it knocked me to the ground and I said "please please,
>
>
> take me back to my home town", Lord, the hammer came down
>
>
>
> LAMENT
>
>
>
> I've seen your fairground hair, your seaside eyes
>
>
> your vampire tooth and your little truth, your tiny lies
>
>
> I know your trembling hand, your guilty prize
>
>
> your sleeping limbs, your foreign hymns your midnight cries.
>
>
> So dry your eyes and turn your head away
>
>
> now there's nothing more to say, now you've gone away.
>
>
>
> Repeat over remaining lyrics
>
>
> THE WITNESS SONG
>
>
> Ok, The bass in this is sort of playing { D D(octave higher) C A G } behing the vocals.
> listen to the record and hopefully all will become clear!
>
>
>
>
> Yeah, yeah, well well
> I took a walk down to the port
>
>
> where strangers met and do consort
>
>
> All blinkered with desire
>
>
> and a winter fog moved thickly on
>
>
> a winter fog moved thickly on
>
>
> a winter fog moved thickly on.
>
>
> Now who will be the witness, who will be the witness, who will be the witness
>
>
> when the fogs too thick to see.
>
>
> Repeat a lot.
>
>
> Middle Bit:
>
>
> and time gets somewhat muddled here
> but no matter, no matter
> here comes the events all tumbling down
> .................
> and she said"well are you healed?"
> and I said "yes, i'm healed"
> and she said "well, yes I'm healed then too"
>
>
> and I said "babe you are a liar"
> "babe you are a liar"
> "babe you are a liar"
>
>
> "babe you are a liar"
>
>
> "babe you are a liar too"
>
> D (with bass bit)
>
> repeat D until end.
>
>
> LUCY
>
>
>
> Last night I lay trembling
>
>
> the moon it was low
>
>
> it was the end of love
>
>
> of misery and woe
>
>
> then suddenly above me
>
>
> her face burned in light
>
>
> came a vision of beauty
>
>
> all covered in white
>
>
> now the bell tower is ringing
>
>
> and the night has stole past
>
>
> O Lucy, can you hear me?
>
>
> wherever you rest.
>
>
> Rpt over remaining words.
>
>
Worked out and Compiled by Andy Field (May 1995)